Musical Role of the Function

COLOUR	SPACE
COMBINE	TIMING
LENGTHEN/SHORTEN	TUNE TO HARMONY
REARRANGE	UP/DOWN/GLISS
REDUCE	UTILITIES

TD = Time Domain (time & amplitude of each sample)
SD = Spectral Domain (frequency, i.e., partial & its amplitude)

FILTER BANK [TD]	6 Preset filter bank options You decide which bank and cut-off slope (Q) More Info   Reference Manual
FILTER FIXED [TD]	Preset filter slope You decide frequency location More Info   Reference Manual
FILTER LOHI [TD]	Remove frequencies above or below a named frequency You decide location abd cut-off slope (Q) More Info   Reference Manual
FILTER VARIABLE [TD]	Select among a number of preset types of filter You decide which type More Info   Reference Manual
FOCUS FOLD [SD]	Move colour features of a sound into a specified frequency range You decide the frequency location and width More Info   Reference Manual
RING-MODULATION [TD]	Push the sound outwards from the middle You decide the width of the middle portion More Info   Reference Manual

COMBINE INTERLEAVE [SD]	Alternate short sections of 2 or more sounds You decide how long the sections should be. More Info   Reference Manual
COMBINE MAX [SD]	Select & put together the loudest components of 2 or more sounds Automatic More Info   Reference Manual
ENVELOPE REPLACE [TD]	Replace amplitude contour of sound 1 with that of sound 2 Automatic More Info   Reference Manual
FORMANTS VOCODE [SD]	Replace spectral contour of sound 1 with that of sound 2 Automatic More Info   Reference Manual
MORPH MORPH [SD]	Make a timbre-transition from sound 1 to sound 2 You decide location, length, frequency and amplitude curves. More Info   Reference Manual

DISTORT REPEAT [TD]	Repeat grouped, uneven sections of the sound You decide size of groups and number of repeats More Info   Reference Manual
EXTEND LOOP [TD]	Assemble fixed length segments as move through sound at evenly spaced steps You decide step and segment size and (optionally) output length More Info   Reference Manual
EXTEND SCRAMBLE [TD]	Randomly rearrange and set output length You decide minimum/maximum segment size and output length More Info   Reference Manual
GRAINMILL [TD]	Comprehensive facilities for turning a sound into tiny grains You shape length, grain size & overlap, pitch, loudness and use of space More Info   Reference Manual
MODIFY BRASSAGE,  Mode 2: TIMEWARP [TD]	Make grainy and lengthen/shorten You decide how (steady or time-varying) and how much More Info   Reference Manual
STRETCH TIME [SD]	Lengthen/shorten a sound without changing its pitch You decide how (steady or time-varying) and how much More Info   Reference Manual

BLUR DRUNK [SD]	Pick and choose parts of the sound, with randomised features You decide size & location of sections, etc. More Info   Reference Manual
BLUR SHUFFLE [SD]	Shuffle analysis windows, singly or in groups You create the shuffle pattern More Info   Reference Manual
DISTORT REVERSE [TD]	Reverse grouped uneven sections of the sound You decide how big the groups are More Info   Reference Manual
DISTORT SHUFFLE [TD]	Shuffle uneven sections of the sound You create the shuffle pattern More Info   Reference Manual
EXTEND SCRAMBLE [TD]	Randomly mix up a sound You determine the minimum/maximum segment size More Info   Reference Manual
MODIFY RADICAL-1  REVERSE [TD]	Start at the end and proceed to the beginning Automatic More Info   Reference Manual

BLUR BLUR [SD]	Smooth differences within sections of the sound You decide the size of the sections More Info   Reference Manual
BLUR SUPPRESS [SD]	Take away the loudest parts of the sound You decide how many partials to remove More Info   Reference Manual
HILITE TRACE [SD]	Keep only the loudest parts of the sound You decide how much to keep More Info   Reference Manual

MODIFY REVECHO [TD]	Alter the ambient space perceived to be around a sound You decide the size of this space More Info   Reference Manual
MODIFY SPACE [TD]	Position a sound in space You decide location and whether moving ('pan') More Info   Reference Manual

FOCUS FREEZE [SD]	Hold spectrum steady before or after certain times You decide when to freeze, whether before or after, and when to unfreeze More Info   Reference Manual
FOCUS HOLD [SD]	Hold the spectrum steady at certain times You decide when and for how long More Info   Reference Manual
FOCUS STEP [SD]	Hold spectrum steady in regular steps You decide how big the steps are More Info   Reference Manual

FILTER VARIBANK [TD]	Colour a sound with 1 or more chord You decide which chord(s) and how resonant More Info   Reference Manual
PITCH TUNE [SD]	Tune the sound to the pitches of a chord You decide which chord More Info   Reference Manual

DISTORT PITCHWARP [TD]	Create irregular pitch bends You decide how far they bend More Info   Reference Manual
FOCUS ACCUMULATE [SD]	Data accumulation that produces reverberation & glissando effects You decide glissando speed and delay times More Info   Reference Manual
MODIFY SPEED [TD]	Transposition that alters pitch and duration You decide how far and whether steady or time-varying More Info   Reference Manual
PITCH TRANSPOSE [SD]	Spectral transposition that keeps harmonic (i.e., pitch) relationships You decide where in spectrum and how far More Info   Reference Manual
REPITCH TRANSPOSE [SD]	Transposition affecting the spectrum You decide how far and by what means More Info   Reference Manual
STRANGE SHIFT [SD]	Shift the spectrum up or down You decide which part and how far More Info   Reference Manual
STRANGE WAVER [SD]	Create a frequency vibrato by harmonic/inharmonic oscillation You decide how fast and how far More Info   Reference Manual

SFEDIT CUT [TD]	Remove part of a sound and save separately You decide which part More Info   Reference Manual
MODIFY LOUDNESS [TD]	Increase or decrease the amplitude level of the sound You decide how much to raise or lower the amplitude level More Info   Reference Manual
ENVEL DOVETAIL [TD]	Raise amplitude from 0 at the beginning and return to 0 at the end You decide how quickly to raise and lower the amplitude More Info   Reference Manual
SFEDIT JOIN [TD]	Join together 2 or more sounds end to end You decide how many and how smooth a join to make ('splice window' or 'slope' of amplitude rise/fall at the beginning and end of the sound More Info   Reference Manual
SUBMIX MIX [TD]	Assemble several soundfiles (the same one or different ones) into a pssage of music You decide which sounds, start times, amplitude levels and spatial positioning More Info   Reference Manual