Papers on Aspects of Music

• Nature, Music and Algorithmic Composition
  Jeremy Leach and John Fitch
  Computer Music Journal, 19, pp23-33, Summer 1995;
• Experiments with Chaotic Oscillators
  Richard Dobson and John Fitch
  Proceedings of ICMC'95, Banff, pp45-48.
  HTML version of paper Sonic examples (8kHz, au format): #1, #2, #3, #4, #5;
• The Application of Differential Equations to the Modelling of Musical Change
  J L Leach and J P Fitch
  Proceedings of ICMC'95, Banff, pp440-443.
  HTML version of paper
  Sonic examples (8kHz, au format): #1, #2, #3, #4;
• Algorithmic Composition as Gene Expression Based upon Fundamentals of Human Perception
  J L Leach
  Proceedings of the XI Colloquium on Musical Informatics, 1995, Bologne
  HTML version of paper
  Sonic examples: #1, #2, #3, #4, #5.
• Experiments with Non-Linear Filters; Discovering Excitable Regions
  Richard Dobson and John ffitch
  Proceedings of ICMC'96, Hong Kong, pp405-408
  HTML revision of paper
• Teaching Software Synthesis through Csound's New Modelling Opcodes
  Richard Boulanger and John ffitch
  Proceedings of ICMC'98, Ann Arbor, pp121-124.
  
• A Wavelet-based Pitch Detector for Musical Signals
  John ffitch and Wafaa Shabana
  Proceedings of DAFx99, pp101-104.
  PDF version of paper
• The Csound Book: Tutorials in Software Synthesis and Sound Design
  Richard Boulanger
  Chapters 3, 5, 16, 31 and 36 are by John ffitch
  Basic Link
• Modelling a Drum by Interfacing 2-D and 3-D Waveguide Meshes
  Marc Aird, Joel Laird and John ffitch
  Proceedings of ICMC2000, Berlin, pp82-85
• Scanned Synthesis: An Introduction and Demonstration of a New Synthesis and Signal Processing Technique
  Richard Boulanger, Paris Smaragdis and John ffitch
  Proceedings of ICMC2000, Berlin, pp372-375
• Large Creating a Computer-Assistant for Performance
  John ffitch and Julian Padget
  No Walls, DeMontfort University, 2001
• Learning to play and perform on synthetic instruments
  John ffitch and Julian Padget
  Proceedings of ICMC2002, Göteborg